J.J. Abrams on whether the Star Wars Sequel Trilogy should have had a plan

While you’re coping with a multi-billion greenback franchise corresponding to Star Wars, you’d assume that it might make sense to have a plan in place, or at the very least know the place you are going. Though J.J. Abrams was profitable at introducing new characters and bringing outdated favourites again for Star Wars: The Drive Awakens, he handed the artistic reins over to Rian Johnson for the following movie, with Johnson anticipated to construct on the threads that Abrams had launched. Star Wars: The Final Jedi did construct on a few of Abrams’ groundwork, however not at all times in the best way followers have been anticipating, and when Abrams returned for STAR WARS: THE RISE OF SKYWALKER, there was a way that he was repivoting a narrative that had taken a flip he hadn’t meant. The tip end result was that the Sequel Trilogy did not really feel like one cohesive story, and whereas there was quite a bit that labored, you’ll be able to’t assist however surprise how various things would have been had there been an general plan in place.

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Whereas talking with Collider, J.J. Abrams was requested for his ideas on the Star Wars Sequel Trilogy and whether or not or not he believes it might have benefited from having a plan in place from the start.

I’ve been concerned in a lot of tasks which were – most often, sequence – which have concepts that start the factor the place you’re feeling like you understand the place it’s gonna go, and typically it’s an actor who is available in, different occasions it’s a relationship that as-written doesn’t fairly work, and issues that you simply assume are gonna simply be so well-received simply crash and burn and different issues that you simply assume like, ‘Oh that’s a small second’ or ‘That’s a one-episode character’ out of the blue change into a vastly essential a part of the story. I really feel like what I’ve discovered as a lesson just a few occasions now, and it’s one thing that particularly on this pandemic yr working with writers [has become clear], the lesson is that you need to plan issues as finest you’ll be able to, and also you at all times want to have the ability to reply to the surprising. And the surprising can are available all kinds of kinds, and I do assume that there’s nothing extra essential than realizing the place you’re going.

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As J.J. Abrams talked about, it is arduous to guess how specific parts will likely be obtained by audiences, so it is essential to have the ability to be versatile with any plan you do have, however he additionally stated that he is “discovered the arduous method” that it is higher to have a plan than not have one in any respect. “You simply by no means actually know, however having a plan I’ve discovered – in some circumstances the arduous method – is probably the most important factor, as a result of in any other case you don’t know what you’re organising,” Abrams defined. “You don’t know what to emphasise. As a result of when you don’t know the inevitable of the story, you’re simply nearly as good as your final sequence or impact or joke or no matter, however you need to be resulting in one thing inevitable.“